Protopunk
Protopunk
In 1969, debut albums by two Michigan -based bands appeared that are commonly regarded as the central protopunk records. V roku 1969 debutový album dvoma Michigan-založené kapely zdalo, že sa vo všeobecnosti považujú za ústredné protopunk záznamy. In January, Detroit's MC5 released Kick Out the Jams . V januári, Detroit to MC5 uvoľní Kick Out sa Džemy. "Musically the group is intentionally crude and aggressively raw", wrote critic Lester Bangs in Rolling Stone : "Hudobné je skupina úmyselne surové a agresívne surový", napísal kritik Lester tresky v Rolling Stone:
Most of the songs are barely distinguishable from each other in their primitive two-chord structures. Väčšina piesní sú ťažko rozoznateľné od seba v ich primitívne dva-akord štruktúr. You've heard all this before from such notables as the Seeds, Blue Cheer , Question Mark and the Mysterians , and the Kingsmen. Vy ste počuli to všetko skôr, ako z týchto honorace ako osivá, Blue Vzmuž, otáznik a Mysterians a Kingsmen. The difference here ... Rozdiel tu ... is in the hype, the thick overlay of teenage-revolution and total-energy-thing which conceals these scrapyard vistas of clichés and ugly noise. ... "I Want You Right Now" sounds exactly (down to the lyrics) like a song called "I Want You" by the Troggs , a British group who came on with a similar sex-and-raw-sound image a couple of years ago (remember " Wild Thing "?) [ 51 ] je v humbuk, hustú obložíš maloletých-revolúcie a celková-energie-vec, ktorá sa skrýva týchto vrakovisko priehľad z klišé a ošklivý hluk. ... "Ja si práve teraz" Znie presne (až na texty) ako pieseň s názvom "Chcem ťa", ktoré Troggs, britská skupina, ktorá prišla s podobnou sex-a-raw-zvukový obraz pred pár rokmi (nezabudnite "Divoké Thing"?) [51]
That August, The Stooges , from Ann Arbor , premiered with a self-titled album . To auguste sa nohsledy, z Ann Arbor, premiéru v self-názvom albumu. According to critic Greil Marcus , the band, led by singer Iggy Pop , created "the sound of Chuck Berry 's Airmobile—after thieves stripped it for parts". [ 52 ] The album was produced by John Cale , a former member of New York's experimental rock group The Velvet Underground . Podľa kritik Greil Marcus, sa kapela, ktorú vedie spevák Iggy Pop, vytvoril "zvuk Chuck Berry 's aeromobilních-po zlodejovi oddestilovaná pre častí." [52] Album bolo vyrobené John Cale, bývalý Nový york experimentálny rockovej skupiny Velvet Underground. Having earned a "reputation as the first underground rock band", VU inspired, directly or indirectly, many of those involved in the creation of punk rock. [ 53 ] S získal "povesť ako prvé podzemné rocková kapela", JV inšpiroval, priamo alebo nepriamo, mnohí z tých, ktoré sa podieľajú na vytváraní punk rock. [53]
In the early 1970s, the New York Dolls updated the original wildness of 1950s rock 'n' roll in a fashion that later became known as glam punk . [ 54 ] The New York duo Suicide played spare, experimental music with a confrontational stage act inspired by that of The Stooges. V ranom 1970, New York Dolls aktualizuje pôvodné divokosti 1950 o rock 'n' roll v móde, ktorá sa neskôr stala známou ako glam punk. [54] The New York duo sebevražda hrál náhradné, experimentálnej hudby s konfrontačnej etape konať inšpirovala tým, že zo nohsledy. At the Coventry club in the New York City borough of Queens , The Dictators used rock as a vehicle for wise-ass attitude and humor. [ 55 ] In Boston, The Modern Lovers , led by Velvet Underground devotee Jonathan Richman , gained attention with a minimalistic style. V Coventry Clubu v New York City Borough of Queens, na diktátori rock používa ako prostriedok pre múdre-zadek prístup a humor. [55] V Bostone, Moderné Milenci v čele s Velvet Underground vyznávači Jonathan Richman, získal pozornosť sa minimalistický štýl. In 1974, an updated garage rock scene began to coalesce around the newly opened Rathskeller club in Kenmore Square . V roku 1974, aktualizované garage rock scéna začala splývať okolo novo otvoreného Rathskeller klub v Kenmore námestí. Among the leading acts were the Real Kids , founded by former Modern Lover John Felice ; Willie Alexander and the Boom Boom Band , whose frontman had been a member of the Velvet Underground for a few months in 1971; and Mickey Clean and the Mezz. [ 56 ] In 1974, as well, the Detroit band Death—made up of three African American brothers—recorded "scorching blasts of feral ur-punk", but couldn't arrange a release deal. [ 57 ] In Ohio, a small but very influential underground rock scene emerged, led by Devo in Akron and Kent and Cleveland's The Electric Eels , Mirrors and Rocket from the Tombs . Medzi predné akty boli Real deti, založil bývalý Moderné Lover John Felice, Willie Alexander a Boom Boom Band, ktorej frontman bol členom skupiny Velvet Underground na niekoľko mesiacov v roku 1971, a Mickey Čisté a Mezz. [ 56] V roku 1974, ako je dobre, Detroit-band Smrť skladá z troch African American bratia-evidovaný "sálající blastov diviačej ur-punk", ale nemožno dojednať prepustenie riešiť. [57] V Ohio, malý, ale veľmi vplyvné rockovej scéne objavil v podzemí, pod vedením Devoe v Akron a Kent a Cleveland na elektrických úhorov, Zrkadlá a Rocket z hrobiek. In 1975, Rocket from the Tombs split into Pere Ubu and Frankenstein . V roku 1975, Rocket z hrobiek rozdelená do Pere UBU a Frankenstein. The Electric Eels and Mirrors both broke up, and The Styrenes emerged from the fallout. [ 58 ] Elektrických úhorov a Zrkadlá obaja sa rozešli, a Styrenes vyplynuli z spad. [58]
Britain's Deviants , in the late 1960s, played in a range of psychedelic styles with a satiric, anarchic edge and a penchant for situationist -style spectacle presaging the Sex Pistols by almost a decade. [ 59 ] In 1970, the act evolved into the Pink Fairies , which carried on in a similar vein. [ 60 ] With his Ziggy Stardust persona, David Bowie made artifice and exaggeration central—elements, again, that were picked up by the Pistols and certain other punk acts. [ 61 ] The Doctors of Madness built on Bowie's presentation concepts, while moving musically in the direction that would become identified with punk. Británia deviant, v neskorých 1960s, hrala v mnohých psychedelické štýl s satirický, anarchický hranu a náklonnosť k situacionista-štýl presaging podívaná so Sex Pistols takmer desať rokov. [59] V roku 1970, jedná sa vyvíjal v Pink víly, ktorý vykonal v podobnom duchu. [60] S jeho Ziggy Stardust persona, David Bowie rafinovanosť a nadsádzkou vykonáva ústredné-prvky, opäť to, že boli zadržaní v Pištoľ a niektorých ďalších punk akty. [61] lekárov z madness postavený na Bowie prezentácie koncepcií, zatiaľ čo pohyblivé hudobno v smere, že by sa identifikovali s punk. Bands in London's pub rock scene stripped the music back to its basics, playing hard, R&B-influenced rock 'n' roll. Kapely v Londýne na uverejnení rockovej scény oddestilovaná hudobné späť na svoje základy, hrá tvrdo, R & B-ovplyvnený rock 'n' roll. By 1974, the scene's top act, Dr. Do roku 1974 sa scéna na hornom konať, Dr Feelgood , was paving the way for others such as The Stranglers and Cock Sparrer that would play a role in the punk explosion. FEELGOOD, bolo pripraviť pôdu pre ďalšie, ako je škrtič a Cock Sparrer, že bude zohrávať dôležitú úlohu v punkové exploze. Among the pub rock bands that formed that year was The 101'ers , whose lead singer would soon adopt the name Joe Strummer . [ 62 ] Medzi uverejnenia rockových kapiel, ktoré vznikajú v tomto roku bol 101'ers, ktorého vedúci spevák by čoskoro prijala meno Joe Strummer. [62]
Bands anticipating the forthcoming movement were appearing as far afield as Düsseldorf , West Germany, where "punk before punk" band NEU! formed in 1971, building on the Krautrock tradition of groups such as Can . [ 63 ] In Japan, the anti-establishment Zunō Keisatsu (Brain Police) mixed garage psych and folk. Kapely predvídať blížiacu pohybe boli uvedené ako ďaleko do zahraničia, ako Düsseldorf, SRN, kde sa "pred punk punk" kapely NEU! Tvorili v roku 1971, v nadväznosti na Krautrock tradíciu skupiny, ako napr Can. [63] V Japonsku, anti-zriadení Zunō Keisatsu (Brain polície) zmiešané garáže psych a folku. The combo regularly faced censorship challenges, their live act at least once including onstage masturbation. [ 64 ] A new generation of Australian garage rock bands, inspired mainly by The Stooges and MC5, was coming even closer to the sound that would soon be called "punk": In Brisbane , The Saints also recalled the raw live sound of the British Pretty Things , who had made a notorious tour of Australia and New Zealand in 1965. [ 65 ] Radio Birdman , cofounded by Detroit expatriate Deniz Tek in 1974, was playing gigs to a small but fanatical following in Sydney . V kombinovanom pravidelne stretávajú cenzúrou problémy, ich live act aspoň raz vrátane divadelné masturbace. [64] A novú generáciu austrálskych garážových rockových kapiel, inšpirovaných najmä nohsledy a MC5, prichádza ešte bližšie k zvuku, ktorý bude v najbližšej dobe by sa dal nazvať " punk ": V Brisbane, svätých tiež pripomenúť, že surové živej zvuk britskej Pretty Veci, ktorí urobili notoricky turné Austrálie a Nového Zélandu v roku 1965. [65] Radio Birdman, cofounded by Detroit vysťahovalcov Tek Deniz v roku 1974, bol hrať koncerty pre malé, ale Fanatický nasledujúce v Sydney.